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Showing posts with label #MusicMondays. Show all posts
Showing posts with label #MusicMondays. Show all posts

Monday, February 17, 2020

Fun With Music: Where’s My Parade Music?



Think back to your favorite DISNEYLAND parades. The first thing that probably comes to mind is the catchy music. It would seem like making that music available for purchase would be an easy decision to make. So why has Disney not released much of its parade music catalog? The answer is a bit complicated.


Like most other entertainment companies, The Walt Disney Company has signed agreements with the various entertainment guilds. These agreements dictate how much the session musicians get paid for their work depending on what their music will be used for. Higher profile usage gets a higher pay rate. Playing on a song that will be widely used and sold earns higher pay than a song that will be exclusively played in a fixed location like a theme park.



As an example, if a musician played on a Mariah Carey song, he or she would receive a higher paycheck than someone playing on a song that would theoretically only be used in a specific location like DISNEYLAND. If Disney wanted to use the song elsewhere, like on television or on a commercially released CD, they would have to pay the musicians more money for their work.



Since the costs of producing a parade are paid out of DISNEYLAND’s entertainment budget, but the revenue generated from a CD would go to DISNEYLAND’s merchandising department, there isn’t much of an incentive for DISNEYLAND Entertainment to pay the musicians more than it has to. If DISNEYLAND decided to sell the music after the fact, it would have to go back to each musician and pay them additional royalties. This extra cost has discouraged Disney from releasing most of its parade music catalog. Though it isn’t impossible for Disney to eventually release this music, it is improbable.




Monday, December 30, 2019

Music Mondays: “Ma Belle Evangeline”




Look how she lights up the sky
Ma belle Evangeline
So far above me, yet I
Know her heart belongs to only me

J'tadore, J'taime, Evangeline
You're my queen of the night
So still, so bright

To someone as beautiful as she
Who loves someone like me
Love always finds a way, it's true
And I love you, Evangeline
Oooh, yeah!

Love is beautiful, love is wonderful
Love is everything, do you agree?
Mais oui!

Look how she lights up the sky
I love you, Evangeline

Monday, December 16, 2019

Music Mondays: Oh What A Merry Christmas Day





Oh, what a merry christmas day

Hear the joyous music play

Bells are ringing

choirs singing


Oh, what a merry christmas day

sharing the season of good cheer

with the ones we hold so dear

friendly faces, warm embraces


Oh, what a merry christmas day

snowflakes covered country lanes

Jack Frost painted window panes

twinkling stars on christmas trees


oh, what happy memories

gathered 'round a fireplace

fam'lies filled with love and grace

from peaceful ember's glow

blessed Yuletide spirits grow

grow and grow

grow and grow


Joy to the children far and near

what a won'drous time of year

isn't is just grand to say

merry, merry christmas

merry, merry christmas

Oh, what a merry christmas day!

Monday, November 4, 2019

Music Mondays: Betty Taylor



When Walt Disney sat down to plan out his Magic Kingdom, he wanted to include live entertainment that was of the highest quality. DISNEYLAND’s proximity to Hollywood meant that Mr. Disney could choose from the greatest performers in the world. He originally planned to have a weekly live show broadcast from the DISNEYLAND Opera House on Main Street, U.S.A. and hosted by the legendary comedian Wally Boag. With ABC uninterested in a live show and the park having to deal with skyrocketing construction costs, that plan was shelved and Wally was enlisted to perform at the Golden Horseshoe in Frontierland. There he would be paired with the legendary Betty Taylor.


Ms. Taylor was a seasoned Hollywood professional who was originally hired on a short term contract. Eventually she would impress Walt Disney enough that he would extend her a permanent position. Betty Taylor would become “Slue Foot Sue” to generations of DISNEYLAND guests. As the glamorous hostess and “owner” of the Golden Horseshoe, Betty entertained millions over her thirty year career at the park.



Monday, July 29, 2019

Music Mondays: Date Nite at DISNEYLAND


Walt Disney knew that DISNEYLAND would have to offer its guests something new and exciting to keep them coming back year after year. This would include innovative attractions, amazing parades and live entertainment. DISNEYLAND’s proximity to Hollywood and its founder’s commitment to quality meant that it would feature higher quality entertainment than one might expect. So when DISNEYLAND decided to host “Date Nites” in the park it hired Hollywood musicians and commissioned a special song that would kick off every performance at DISNEYLAND’s Carnation Gardens- Date Nite at DISNEYLAND. The song would also be used in radio commercials promoting the great time that awaited DISNEYLAND guests.





Monday, April 29, 2019

Music Mondays: Walt Disney and the Avengers


While Walt Disney’s favorite song was Feed the Birds from Mary Poppins, the Sherman Brothers, who wrote the song, always felt that the piece of music they wrote that best summed up their boss was There’s A Great Big Beautiful Tomorrow, a bouncy song that was used in the Carousel Of Progress attraction in DISNEYLAND.


The song expressed Mr. Disney’s positive outlook- his feeling that today’s problems could be solved in the future through research and technology. In 2010, Marvel Studios was looking for an inspirational song that would be used at the fictional “Stark Expo” in Iron Man 2. In the film, Howard Stark is portrayed as a businessman who similarly embraced the future. The type of song they had in mind was one that would be similar to There’s A Great Big Beautiful Tomorrow, so they went right to the original songwriters- the Sherman Brothers- who wrote Make Way For Tomorrow Today, a song that sounds like it could have been right out of DISNEYLAND’s Tomorrowland.

Monday, April 15, 2019

Music Mondays: “Hello Everybody”


Magical memories can be triggered at the most random times by sights, smells and sounds. Soundtrack albums featuring the sounds and songs of Walt Disney’s Magic Kingdom have long been popular souvenirs, primarily because listening to them can bring back a flood of happy memories, even if the listener is thousands of miles away from the park.


One of the greatest shows to ever grace a theme park stage was the Golden Horseshoe Revue. Staffed by genuine showbiz talents, the show was the sort of entertainment that had never before been seen anywhere and sadly might never be seen again. The show’s quality was reflected in its signature song, written specially for the Revue- Hello, Everybody. The song gave a hearty welcome to the audience and was a high kicking prelude of things to come. Luckily, the song was preserved on the show’s own soundtrack which was remastered and sold on demand at DISNEYLAND in the early 2000’s. It was later included in the park’s 50th Anniversary soundtrack as well as its current Legacy Collection CD. To read about a personal memory of the show here on the site, please click here: http://www.retlawyensid.com/2018/10/the-magic-of-disneyland-memories.html?m=0


Monday, April 8, 2019

Music Mondays: “Glee”




The music industry has been on the decline for at least a decade. While it has often blamed the rise of the internet and the easy availability of piracy, the music industry’s problems are deeper than that. As the 2000’s wore on, it seemed as though the sales records racked up during recorded music’s heyday were not likely to ever be beaten. In 2009, Twentieth-Century-Fox Television introduced a show that would not only challenge decades-old sales record but would  regularly break them. Glee, a show about a high school glee club, would dominate the sales charts becoming a phenomenon that re-invigorated the recording industry and set its own seemingly unbeatable records.


Glee released 460 singles, of which a record 207 charted, beating legendary acts like The Beatles, Michael Jackson and Queen. This amazing sales record will not likely be beaten, though the show’s music has yet to prove that it has as much staying power as the acts whose records it shattered.


Monday, December 31, 2018

Music Mondays: “There’s A Great Big Beautiful Tomorrow”


While Walt Disney’s favorite song was Feed the Birds, his unofficial personal anthem (at least in the mind of Richard Sherman) was There’s A Great Big Beautiful Tomorrow, written by the Sherman Brothers for the Disney produced GE Pavilion at the 1964 World’s Fair in New York.



The song is a bouncy, positive tribute to the future. Walt Disney acknowledged the problems faced by humanity, but he also felt that technology and science could solve those problems. The solution to society’s ills and issues could be found through research and knowledge. It was that positive viewpoint that drove Walt Disney forward.


The Sherman Brothers always said that the song was one of the easiest for them to write because they just inserted Walt Disney’s optimism into the song. There was no doubt that Walt Disney would enjoy the song; it worked in his beliefs about the future. The song would eventually make its way to DISNEYLAND as part of the Carousel of Progress in the New Tomorrowland that opened in 1967.






Monday, March 5, 2018

Music Mondays: Walt Disney Week


Walt Disney’s favorite song was Feed the Birds from the film Mary Poppins. After a busy week at the studio he would often meet with Richard and Robert Sherman and at the conclusion of their meeting he would typically ask them to “play it”, which meant he wanted them to sing the song for him.


Despite Walt’s fondness for Feed the Birds, Richard Sherman has often said that the song he most associates with Mr. Disney is There’s A Great Big Beautiful Tomorrow. He believes the song captures Walt’s optimism for the future, which is what he and his brother had in mind when they wrote it.


Years later when Marvel Films was looking for a song to capture the same optimism for the Stark Expo featured in Iron Man 2, they enlisted the Sherman Brothers to write it. Make Way For Tomorrow Today was the result- an upbeat song that holds out hope for a brighter tomorrow.

Monday, February 5, 2018

Music Mondays: Disney Composers- Frank Churchill



One of Disney’s most prolific composers was also one of its first. Frank Churchill was hired as a staff writer and provided the scores for most of the cartoon shorts produced between 1930 and 1940, including the mammoth hit The Three Little Pigs. The song he wrote for the film- Who’s Afraid of the Big Bad Wolf? became a huge success, cementing Frank’s place in Hollywood legend.

When Walt Disney decided to take on his biggest challenge up to that point- Snow White and the Seven Dwarfs. Frank wrote most of the music for the film. The success of the movie led to him getting further assignments on The Adventures of Ichabod & Mr. Toad, Peter Pan, Bambi and Dumbo. One of his songs became a modern lullaby- Baby Mine, which earned him an Oscar nomination.

Despite his huge success, Mr. Churchill suffered from severe depression and sadly committed suicide in 1942. He never saw how successful his arguably greatest song- Baby Mine- would become.

Monday, January 29, 2018

Music Mondays: DISNEYLAND Records Release #16: Tutti’s Trumpets



Tutti Camarata had been given free reign by Walt Disney to work on any project he wished in between his assigned projects. This allowed Camarata to produce more esoteric albums that probably wouldn’t have seen the light of day otherwise. One such project was Tutti’s Trumpets, which unsurprisingly featured Camarata’s compositions and arrangements played on trumpets. It was an odd choice for a release from a children’s record label named after a theme park, but it gained a cult following and became a must have recording for trumpet aficionados.



Monday, November 13, 2017

Mickey Mouse Birthday Week! Music Mondays: Mickey Mouse Club March


The Mickey Mouse Club March was written by head Mouseketeer Jimmie Dodd for the 1955 television show. Prior to The Mickey Mouse Club, children’s entertainment on television was locally based and cheaply produced. Walt Disney wanted to improve the quality of shows geared towards children, so he put his studio’s most talented resources to work on creating The Mickey Mouse Club, which doubled as an attempt to reintroduce Mickey Mouse to a younger audience. It worked beyond his wildest dreams.












                           Who's the leader of the club
That's made for you and me
M-I-C-K-E-Y M-O-U-S-E
Hey! there, Hi! there, Ho! there
You're as welcome as can be
M-I-C-K-E-Y M-O-U-S-E
Mickey Mouse!
Mickey Mouse!
Forever let us hold our banner
High! High! High! High!
Come along and sing a song
And join the jamboree!
M-I-C-K-E-Y M-O-U-S-E
Mickey Mouse club
We'll have fun
We'll be new faces
High! High! High! High!
We'll do things and
We'll go places
All around the world
We'll go marching
Who's the leader of the club
That's made for you and me
M-I-C-K-E-Y M-O-U-S-E
Hey! there, Hi! there, Ho! there
You're as welcome as can be
M-I-C-K-E-Y M-O-U-S-E
Mickey Mouse!
Mickey Mouse!
Forever let us hold our banner
High! High! High! High!
Come along and sing a song
And join the jamboree!
M-I-C-K-E-Y M-O-U-S-E

Monday, August 28, 2017

Music Mondays: DISNEYLAND Records Release #15: Life of the Party, Volume II



Apparently Life of the Party was successful enough to justify a sequel. Volume II featured more piano music that your guests could sing along to, courtesy of DISNEYLAND Records. Whether you were trying to entertain your guests (or make them leave your house) Camarata had you covered.

Monday, August 21, 2017

Music Mondays: DISNEYLAND Records Release #14- Folk Songs From the Far Corners



Walt Disney presents Folk Songs From The Far Corners was another more experimental release from the label, produced by DISNEYLAND Records' in-house legendary producer Tutti Camarata. Camarata was given free reign with many of the labels' second tier releases because Walt Disney wanted to gauge what his family audience might be interested in. This album would actually be quite successful, spawning other folk song releases.

Monday, July 31, 2017

Music Mondays: DISNEYLAND Records Release #13- Echoes of DISNEYLAND


Echoes of DISNEYLAND was the thirteenth release from DISNEYLAND Records. It was one of the rare releases that was actually recorded inside the Magic Kingdom.


When DISNEYLAND first opened, one of the first shops guests would encounter on their visit to the park was the Wurlitzer Music Shop. Located in the spot currently filled by the Disney Showcase, the shop sold sheet music and provided information about Wurlitzer Organs. The manager of the shop was Dee Fisher, who often demonstrated the merchandise by playing Disney music on them.


Mr. Fisher's evening performances became a tradition in the park, catching the ear of Walt Disney. Walt commissioned an entire album of Dee's music, figuring it would be a highly sought after souvenir. It certainly was.

Monday, July 24, 2017

Music Mondays: A Country Bear


DISNEYLAND guests fondly remember the Country Bear Playhouse, home of the Country Bear Jamboree and the Country Bear Vacation Hoedown. Both shows were "hosted" by Henry, who also sang a few songs with the other bears and kept everyone (mostly) in line.


Who provided the voice for Henry? Peter Renaday, who might not have a familiar name but might have a familiar face. He played John Jacks on General Hospital.